The deep end
A face that holds across eleven shots
The hardest thing in this medium, and the thing that separates a film from a slideshow.
- What it costs
- 1,859 credits
- Your time
- 1.3 hr
- Rendering
- 55 min
- You end up with
- 29 pieces
In this order
5 steps, and none of them is “have a think”.
- 01
Build the person once, properly
Front, three-quarter, profile, and one in the light the film is in. Four good references beat forty casual ones, and the one in the right light is the one that does the work.
20 min of yours4 × a picture
Open the room for this step - 02
Settle the consent before the first shot
If the face belongs to a real person, the paperwork is a step in the lesson, not an afterthought. The room will not render a trained likeness without it, and that is deliberate.
10 min of yoursnothing rendered
Open the room for this step - 03
Shoot the eleven on the cheap lane first
Every shot, quick lane, in order. You are not looking at quality here. You are looking for the two shots where the face drifts, which is a thing you can only see in sequence.
25 min of yours11 × five seconds of video
Open the room for this step - 04
Fix the drift by changing the shot, not the face
A face drifts when the angle or the light has wandered outside what it was built from. Nine times in ten the fix is a different camera position, not a different likeness. Reshoots run on the good lane and have no quick setting, because a shot you have already paid once to discover is wrong is not where to economise.
15 min of yours3 × five seconds of video
Open the room for this step - 05
Run the keepers properly
Now the good lane, all eleven, once. This is the expensive part of the lesson and it happens once, because everything that could have gone wrong already went wrong on the cheap lane.
5 min of yours11 × five seconds of video
Open the room for this step
The bill
How many times each plan pays for this.
One run of this lesson costs 1,859 credits. Divided into each plan’s monthly allowance, that is how many goes you get — which is the number worth knowing before you pick a tier, and the one nobody prints.
| Plan | Runs a month | In words |
|---|---|---|
| Look aroundSee whether it makes the thing you had in mind. | 0 | Your allowance will not cover one run. A top-up or a step up the plans will. |
| CreatorOne person, making things that go out under their own name. | 0 | Your allowance will not cover one run. A top-up or a step up the plans will. |
| StudioA small team shipping for clients, on a deadline. | 1 | Your allowance covers this once this month. |
| ScaleAn agency or a product with VODOO underneath it. | 4 | Your allowance covers this 4 times this month. |
| EnterpriseProcurement, a security review, and a number on an invoice. | Quoted | Your plan is quoted, so this is a conversation rather than a count. |
Priced from a picture (one still, top quality), five seconds of video (quick lane), five seconds of video (the good lane) — the same published prices the pricing page quotes, added up rather than estimated.
After this
The rest of them.
Your first one
A product photo you would actually use
The first thing most people want, and the fastest thing to get right.
Your first one
Five seconds that moves
A still you already have, breathing. The cheapest real video anybody makes.
Your first one
A week of posts from one photo
Seven things to put out, from the one thing you already made.
Working in it
A thirty-second ad, end to end
Script, voice, clips and a cut, in one sitting, with every step yours to change.
Working in it
One product, five backdrops
The listing set. Same object, same light on it, five places it could be.
Working in it
A price on screen that is the price you typed
The one thing a generative model cannot be trusted with, and the reason this room exists.