VODOO
Start creating

The studio where all magics happen

VODOO

Whatever you can see in your head, this studio puts on screen — and everything that comes back is yours to keep, and yours to sell.

See what people make

The same shot

Do you need the expensive one?

One prompt, run three ways, with what each one costs underneath. The cheap lane is for deciding and the dear one is for keeping — and you see the difference before you spend anything, because every render is quoted in the room before it runs.

  1. Quick

    23 credits · $0.46

    For deciding. Cheap enough to be wrong about six times in a row.

  2. Good

    113 credits · $2.26

    What a finished ad ships at. The one to use if you are unsure.

  3. Best

    300 credits · $6.00

    Faces and skin that hold up at full size. Keep it for the shots that carry the piece.

Nobody picked an engine to get these. The studio chose for each one, which is what happens on an ordinary render. Every price on one page · Or choose the engine yourself

Three moves. That is the whole studio.

22 rooms sit behind these three, and you never have to learn which is which. Start something, shape it until it is right, finish it properly.

  1. Start

    Bring a sentence, a link, a photograph, or something of somebody else's that is already working.

    • Bench
    • Ads
    • More like this

  2. Shape

    Direct it shot by shot, change the one thing that is wrong, or try it several ways at once.

    • Studio
    • Fix
    • More like this

  3. Finish

    Put the shots in order, cut it for everywhere it is going, and find out which one earned.

    • Cut
    • Compose
    • Brand

Bench

One thing, straight away.

A picture, a read, a track, a transcript. One field, one button, and it arrives in seconds — the studio picks the engine that suits what you asked for and gets on with it. Already have the photo? Drop it in and say what to change instead.

See all of Bench →

Prompts

Find the words before you make it.

Drop in a picture you love and get the prompt that makes it. Take an ad apart shot by shot, turn a rough idea into five directions, or paste the prompt you have and get a stronger one back. When it reads right, send it straight to the room that makes it.

See all of Prompts →

Studio

Direct it shot by shot.

A brief becomes scenes, scenes become shots, and every shot keeps its camera, its optics, its cast and its emotion where you can reach them. Save the whole graph as a recipe and it will run itself over a list of products. The Studio edits the same rows the Ads room writes when it reads a product page, so anything started there opens here untouched.

See all of Studio →

More like this

Something that already works. Made yours, then made again.

Drop in a screenshot of an ad, a clip or a picture that is earning — or paste a link, or just describe it — and we read the shape of it — how long it runs, what happens at each moment, how fast it moves, where it is shot, what the first line is doing — then rebuild that shape around your product, your name and your promise. Or start from one of your own — a brief, or a photograph you took — and run Juju: a numbered set where each one changes a single named thing, the first line or the presenter or the room or the pace, so when one wins you know exactly which change won it. Nothing here is luck.

See all of More like this →

Cast

A face you can use again.

Performers, their consent and their likeness, kept together — so the same person can front every clip you make this quarter, and casting them again is a decision you already made rather than one you are making under deadline.

See all of Cast →

Cut

Put the shots in order and walk out with a master.

Everything this workspace has rendered, in one strip. Pick the shots, say how they join, lay a voice and a bed under it, and take away one master plus a file cut for every place it is going. Or press the one button and let the room decide — it shows you what it chose, and you can argue with any of it.

See all of Cut →

Or just say what the job is.

Nobody wakes up needing a tool. They need a brand for the business they are starting, an ad by Friday, or a clip that looks like a person filmed it. Three rooms are named after the job instead, and they gather every way in.

Brand

An idea in. A whole brand out.

Tell it what you are building and get three complete brands to choose from: a name, a logo idea, colours, type, a voice and a face. Pick one and it becomes a live one-page site, a checked .com and a first set of posts, ads and videos, each ready to make in the room that makes it.

See all of Brand →

Ads

Everything that goes into selling something.

Pick your speed. Paste a link to what you sell and get a finished ad back in one pass, or take it a stage at a time and settle the look, the script and the board before a frame renders. Or start from somebody else's ad, one of your own, or nothing but a sentence. It all lands in the same place, cut for every placement, with a record of which one earned.

See all of Ads →

UGC

A real person, holding your thing, talking to their phone.

The stuff that does not look like an ad. Pick who is on camera, pick the room they are standing in, and say what they are getting at. Consent is settled once, up front, so the same face can carry a whole campaign.

See all of UGC →

Product pictures

Pictures of the thing you sell, without the day in a studio.

The plain white shot the marketplace asks for. The same bottle on a real windowsill. Somebody holding it so the size reads. Pick the shape you need, or hand over a picture you already like and we read how it was framed and lit and put your packaging in it.

See all of Product pictures →

Not a video tool. A creative religion. A studio. Your freedom to create.

A film, a product turntable and a room redesign are the same machine wearing different clothes — a still, then motion, then sound, then a cut. So they all live here, and none of them is a separate product you buy again.

Moving picture
FilmAdCreator videoOne like thisMore versionsExplainerAnimate a stillMusic videoCut it together
Still picture
PhotographProduct shotChange a photoFix a photoRestore and upscale
People and voice
CharacterVoiceDub
Objects and spaces
3D objectSpaceTurntable
Sound
MusicTranscript
Words and data
Writing

Say it, and go

Describe the thing in your own words. The studio works out which steps it needs and gets on with them, leaning towards whatever will run your work rather than argue with it. What it is about to do, and what it will cost, is on screen before anything is spent.

Or drive it yourself

Every step opens onto the full list, ranked with no thumb on the scale, with every setting and every limit in plain sight. Take one step by hand and let the studio keep the rest. Changing your mind never costs you a restart.

How to

And if you have never made one before.

10 lessons, and each one is a finished thing you walk out with rather than a video about the software. Every step opens the room that does it, and every lesson says what it will take before you start — what it costs, how long it keeps you, and how long you are only waiting.

Models

Every model worth using, in one place.

Pick the one you already love and start with it, switch whenever you like, or leave the choice to the studio and it picks the best one for each step.

Video models

  • Veo 3.1The tailor's verdictVeo 3.1GoogleCinematic shots with sound already in them — dialogue, footsteps, rain.Sound in the same takeVoices, room tone and effects come back with the picture, in sync.Create with Veo 3.1
  • Kling 2.6Track at dawnKling 2.6KuaishouBig, physical motion — dance, sport, fabric and water that move like the real thing.Bodies in motionFast choreography and sport without limbs melting into each other.Create with Kling 2.6
  • SeedanceGetting readySeedanceByteDanceMulti-shot scenes that cut together, with the same people from shot to shot.Several shots, one sceneWide, medium and close in a single generation, already edited.Create with Seedance
  • Sora 2The honest reviewSora 2OpenAIStory-driven scenes with dialogue, humour and a world that obeys its own rules.Talking to cameraCharacters who speak their lines and mean them.Create with Sora 2
  • WanTen openingsWanAlibabaOpen and flexible — few refusals, strong motion, great for volume.Made for many takesFast and affordable enough to try ten versions and keep the best.Create with Wan
  • HailuoThe ringHailuoMiniMaxExpressive faces and dramatic camera, at a price that invites experiments.Emotion on the faceTears, grins and double-takes that read at phone size.Create with Hailuo
  • RunwayThe yellow coatRunwayRunwayThe filmmaker's engine — control over look, references and continuity.Same look, every shotReference images keep the character and the grade consistent.Create with Runway
  • PixVerseMelt and re-formPixVersePixVerseViral effects and trends in a tap — hugs, transformations, squishes.Trend effectsThe effects everyone is posting this week, on your own photo.Create with PixVerse
  • RayCandle dinnerRayLumaPhotoreal light and depth — the look of an expensive lens.Light that feels realGolden hour, candlelight and neon that fall off the way real light does.Create with Ray

Image models

  • Nano BananaTravel setNano BananaGoogleEdit any photo by saying what to change — the rest stays exactly as it was.Same person, new sceneKeeps a face recognisable across outfits, places and poses.Create with Nano Banana
  • FLUXFrecklesFLUXBlack Forest LabsPhotoreal images with crisp detail and type that actually spells right.Photoreal by defaultSkin, fabric and light that pass for a real photo shoot.Create with FLUX
  • SeedreamAutumn lookbookSeedreamByteDanceBig, sharp images and sets of matching pictures in one go.Sets that matchA carousel or a lookbook where every frame belongs together.Create with Seedream
  • ImagenFlash at nightImagenGoogleRich colour and fine detail, from food to fashion to landscapes.Fashion editorialMagazine-grade poses, fabric and styling.Create with Imagen
  • IdeogramGig posterIdeogramIdeogramPosters, logos and thumbnails where the words are the point.Type-led designHeadlines, logos and layouts set like a designer would.Create with Ideogram
  • RecraftIcon setRecraftRecraftBrand graphics, icons and vectors in your own style.Icons and vectorsSets that share a stroke, a palette and a mood.Create with Recraft

Voice models

  • ElevenLabsLate-night radioElevenLabsElevenLabsVoices that breathe — narration, characters and ads in dozens of languages.Natural readsPauses, breath and emphasis where a person would put them.Create with ElevenLabs
  • MiniMax SpeechThe saleMiniMax SpeechMiniMaxExpressive, emotional speech at a price built for volume.Emotion you can directHappy, tired, urgent — say the feeling and hear it.Create with MiniMax Speech

Open the inside of anything you made.

Every project keeps its own making — the brief, the references, the cast, each attempt and the one you kept. Go back into a film from three months ago, pull one shot out of it, and start the next thing from there. Nothing you make here is only a file.

What you keep.

The part people find out about later, usually the hard way. Here it is up front instead.

You own the file.

The cut, the stems, the cast, the rights. Export at full resolution whenever you want, take it anywhere, and it keeps working the month you stop paying us.

Most studios keep your work inside the subscription.

Change your mind mid-project.

Nothing about your work is tied to whatever made it. Send a shot down a different road, keep the same cast and the same brief, and put the two side by side.

Most give you one road and no way off it.

The frame says what it is.

Cast members carry consent records and everything leaves with a signed credential attached, so the work holds up in rooms where somebody is going to ask.

Most leave the performer quietly synthetic.

What you bought stays bought.

Prepay because the block is cheaper, not because the last one evaporated. Commit for longer and the discount grows; nothing you bought is ever taken back.

Most expire your credits at the end of the month.

And the unglamorous part, since you will want it in writing: every job is priced and held against your balance before it runs, and what it actually cost is recorded against it and readable by you, per render. We just do not think that is the reason to come here.

What it is built on

migrations
139
tests
9,496
RLS suites
74
two-phase ledger
hold → capture
signed delivery
C2PA
agent surface
MCP + API

Every workspace is sealed off from every other and proven so by its own tests, because your work, your cast and your connected accounts are the three things a studio cannot get wrong.

Private build

Where we actually are

The studio, the credit ledger, Cast Studio and the winners loop are written and under test. The first live workspaces are being connected now, and public sign-ups are not open yet. When they are, this line will say so instead.

Or never open the studio at all.

Eight tools take an agent the whole way — find the ad that is working, pull its hook apart, write against it, render every version, ship the winner. Works from Claude, from ChatGPT, from whatever you already use. Nothing spends on the first call.

VODOO AI — AI video ads, product photos and voiceovers